Jumat, 08 Maret 2013

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  • Published on: 1992-09-28
  • Binding: Hardcover

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Rabu, 06 Maret 2013

[E540.Ebook] PDF Ebook Changing Contours of Work: Jobs and Opportunities in the New Economy (Sociology for a New Century Series), by Stephen A. Sweet, Peter F. M

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Changing Contours of Work: Jobs and Opportunities in the New Economy (Sociology for a New Century Series), by Stephen A. Sweet, Peter F. M

In the Third Edition of Changing Contours of Work: Jobs and Opportunities in the New Economy, Stephen Sweet and Peter Meiksins once again provide a rich analysis of the American workplace in the larger context of an integrated global economy. Through engaging vignettes and rich data, this text frames the development of jobs and employment opportunities in an international comparative perspective, revealing the historical transformations of work (the “old economy” and the “new economy”) and identifying the profound effects that these changes have had on lives, jobs, and life chances. The text examines the many complexities of race, class, and gender inequalities in the modern-day workplace, and details the consequences of job insecurity and work schedules mismatched to family needs. Throughout the text, strategic recommendations are offered to improve the new economy.

  • Sales Rank: #848918 in Books
  • Published on: 2016-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.10" l, .0 pounds
  • Binding: Paperback
  • 328 pages

Review
“Changing Contours of Work: Jobs and Opportunities in the New Economy provides numerous insights into the new world of work and is a prolific source of material for class discussion, further research, and written assignments.” (Teaching Sociology)

“Changing Contours of Work is an engaging text that is of significant value in courses on the sociology of work.” (Journal of Family Theory & Review)

“With a captivating dose of realism and critical inquiry, the authors have done an excellent job of introducing some of the most troubling labour market issues of our time. It is an excellent source for upper level undergraduate students and those trying to make sense of recent transformations in the world of work and beyond.” (Work, Employment and Society)

“Changing Contours of Work inspires students to acquire a sociological imagination in the way they view the labor force, understanding the way that personal troubles with income or employment are linked to public issues. 

Changing Contours of Work provides a thorough overview of the structure of the new economy and the way opportunities and rewards are unequally divided across the lines of class, gender, and race.Perhaps one of the greatest attributes of the book,however, is the ease by which Sweet and Meiksins integrate classical sociology with contemporary studies of stratification in a way that is extremely accessible to undergraduate students.”

(William J. Scarborough American Sociological Association)

About the Author

Stephen Sweet is Associate Professor and Chair of Sociology at Ithaca College and formerly the associate director of the Cornell Careers Institute, a Sloan Center for the Study of Working Families. He has written a number of articles on the challenges confronting working families, focusing on the issues of concern to dual career couples across the life course. His studies have appeared in a variety of publications, including the New Directions in Life Course Research, Journal of Vocational Behavior, Journal of Marriage and the Family, Innovative Higher Education, The International Journal of Mass Emergencies and Disasters, Journal of College Student Development, and Community, Work, and Family. Stephen’s other book with SAGE is The Work-Family Interface. He has also published The Handbook of Work and Family with co-authors Marcie Pitt-Catsouphes and Ellen Ernst Kossek;  Managing Careers in the New Risk Economy, with co-investigator Phyllis Moen; College and Society: An Introduction to the Sociological Imagination, and Data Analysis with SPSS: A First Course in Applied Statistics. Stephen has been the recipient of a Sloan Officers Grant to study the effects of corporate downsizing on dual earner couples.



Peter Meiksins is a Professor of Sociology at Cleveland State University. He is the author of many articles on the sociology of work, including studies of the work experiences of engineers and part-time work in professional technical occupations and essays on labor process theory, professional work in comparative perspective, and contemporary labor relations. His work has appeared in a variety of journals, including Work and Occupations, Theory and Society, Economic and Industrial Democracy, Work, Employment and Society, and Sociological Quarterly. He is the author of Putting Work in Its Place: A Quiet Revolution (with Peter Whalley) and of Engineering Labour: Technical Workers in Comparative Perspective (with Chris Smith). Peter’s other books are Rethinking the Labor Process (with Mark Wardell and Tom Steiger) and Rising From the Ashes: Labor in the Age of Global Capitalism (with Ellen Wood and Michael Yates). He and co-investigator Peter Whalley received a major grant from the Sloan Foundation to study “Flexible Work for Technical Professionals.” Peter’s current research concerns the sociology of design work (a study of the work of graphic designers, industrial designers and interior designers). This research has been supported by a Fund for the Advancement of the Discipline grant from the American Sociological Foundation.

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Straight forward look at labor
By Christine P. Castaldo
Straight forward book that was a necessary requirement for a class I took.

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[O639.Ebook] Fee Download The Freedom Writers Diary, by The Freedom Writers, Erin Gruwell

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The Freedom Writers Diary, by The Freedom Writers, Erin Gruwell

#1 NEW YORK TIMES BESTSELLER & NOW A MAJOR MOTION PICTURE

Straight from the front line of urban America, the inspiring story of one fiercely determined teacher and her remarkable students.

As an idealistic twenty-three-year-old English teacher at Wilson High School in Long beach, California, Erin Gruwell confronted a room of “unteachable, at-risk” students. One day she intercepted a note with an ugly racial caricature, and angrily declared that this was precisely the sort of thing that led to the Holocaust—only to be met by uncomprehending looks. So she and her students, using the treasured books Anne Frank: The Diary of a Young Girl and Zlata’s Diary: A Child’s Life in Sarajevo as their guides, undertook a life-changing, eye-opening, spirit-raising odyssey against intolerance and misunderstanding. They learned to see the parallels in these books to their own lives, recording their thoughts and feelings in diaries and dubbing themselves the “Freedom Writers” in homage to the civil rights activists “The Freedom Riders.”

With funds raised by a “Read-a-thon for Tolerance,” they arranged for Miep Gies, the courageous Dutch woman who sheltered the Frank family, to visit them in California, where she declared that Erin Gruwell’s students were “the real heroes.” Their efforts have paid off spectacularly, both in terms of recognition—appearances on “Prime Time Live” and “All Things Considered,” coverage in People magazine, a meeting with U.S. Secretary of Education Richard Riley—and educationally. All 150 Freedom Writers have graduated from high school and are now attending college.

With powerful entries from the students’ own diaries and a narrative text by Erin Gruwell, The Freedom Writers Diary is an uplifting, unforgettable example of how hard work, courage, and the spirit of determination changed the lives of a teacher and her students.

The authors’ proceeds from this book will be donated to The Tolerance Education Foundation, an organization set up to pay for the Freedom Writers’ college tuition. Erin Gruwell is now a visiting professor at California State University, Long Beach, where some of her students are Freedom Writers.

  • Sales Rank: #15767 in Audible
  • Published on: 2006-01-20
  • Format: Unabridged
  • Original language: English
  • Running time: 571 minutes

From Library Journal
When Gruwell was a first-year high school teacher in Long Beach, CA, teaching the "unteachables" (kids that no other teacher wanted to deal with), she discovered that most of her students had not heard of the Holocaust. Shocked, she introduced them to books about toleranceAfirst-person accounts by the likes of Anne Frank and Zlata Filopvic, who chronicled her life in war-torn Sarajevo. The students were inspired to start keeping diaries of their lives that showed the violence, homelessness, racism, illness, and abuse that surrounded them. These student diaries form the basis of this book, which is cut from the same mold as Dangerous Minds: the outsider teacher, who isn't supposed to last a month, comes in and rebuilds a class with tough love and hard work. Most readers will be proud to see how these students have succeeded; at the end of their four-year experience, the Freedom WritersAas they called themselves, in honor of the Freedom Riders of the 1960sAhad all graduated; Grunwell now works at the college level, instructing teachers on how to provide more interactive classes for their students. Recommended for youth, education, and urban studies collections.ADanna C. Bell-Russel, Lib. of Congress, Washington, DC
Copyright 1999 Reed Business Information, Inc.

About the Author
ERIN GRUWELL, the Freedom Writers, and her nonprofit organization have received many awards,  including the prestigious Spirit of Anne Frank Award, and have appeared on The Oprah Winfrey Show, Prime Time Live, Good Morning America, and The View, to name a few. All 150 Freedom Writers went on to graduate from Wilson High. She lives in Long Beach, California.

Excerpt. © Reprinted by permission. All rights reserved.
Freshman Year

Fall 1994

Entry 1 -- Ms. Gruwell

Dear Diary, Tomorrow morning, my journey as an English teacher officially begins. Since first impressions are so important, I wonder what my students will think about me. Will they think I'm out of touch or too preppy? Or worse yet, that I'm too young to be taken seriously? Maybe I'll have them write a journal entry describing what their expectations are of me and the class.

Even though I spent last year as a student teacher at Wilson High School, I'm still learning my way around the city. Long Beach is so different than the gated community I grew up in. Thanks to MTV dubbing Long Beach as the "gangsta-rap capital" with its depiction of guns and graffiti, my friends have a warped perception of the city, or L B C as the rappers refer to it. They think I should wear a bulletproof vest rather than pearls. Where I live in Newport Beach is a utopia compared to some of neighborhoods seen in a Snoop Doggy Dogg video. Still, TV tends to blow things out of proportion.

The school is actually located in a safe neighborhood, just a few miles from the ocean. Its location and reputation make it desirable. So much so that a lot of the students that live in what they call the "'hood" take two or three buses just to get to school every day. Students come in from every corner of the city: Rich kids from the shore sit next to poor kids from the projects . . . there's every race, religion, and culture within the confines of the quad. But since the Rodney King riots, racial tension has spilled over into the school.

Due to busing and an outbreak in gang activity, Wilson's traditional white, upper-class demographics have changed radically. African Americans, Latinos, and Asians now make up the majority of the student body.

As a student teacher last year, I was pretty naive. I wanted to see past color and culture, but I was immediately confronted by it when the first bell rang and a student named Sharaud sauntered in bouncing a basketball. He was a junior, a disciplinary transfer from Wilson's crosstown rival, and his reputation preceded him. Word was that he had threatened his previous English teacher with a gun (which I later found out was only a plastic water gun, but it had all the makings of a dramatic showdown). In those first few minutes, he made it brutally clear that he hated Wilson, he hated English, and he hated me. His sole purpose was to make his "preppy" student teacher cry. Little did he know that within a month, he'd be the one crying.

Sharaud became the butt of a bad joke. A classmate got tired of Sharaud's antics and drew a racial caricature of him with huge, exaggerated lips. As the drawing made its way around the class, the other students laughed hysterically. When Sharaud saw it, he looked as if he was going to cry. For the first time, his tough facade began to crack.

When I got a hold of the picture, I went ballistic. "This is the type of propaganda that the Nazis used during the Holocaust," I yelled. When a student timidly asked me, "What's the Holocaust?" I was shocked.

I asked, "How many of you have heard of the Holocaust?" Not a single person raised his hand. Then I asked, "How many of you have been shot at?" Nearly every hand went up.

I immediately decided to throw out my meticulously planned lessons and make tolerance the core of my curriculum.

From that moment on, I would try to bring history to life by using new books, inviting guest speakers, and going on field trips. Since I was just a student teacher, I had no budget for my schemes. So, I moonlighted as a concierge at the Marriott Hotel and sold lingerie at Nordstrom. My dad even asked me, "Why can't you just be a normal teacher?"

Actually, normalcy didn't seem so bad after my first snafu. I took my students to see Schindler's List in Newport Beach, at a predominately white, upper-class theater. I was shocked to see women grab their pearls and clutch their purses in fear. A local paper ran a front-page article about the incident, describing how poorly my students were treated, after which I received death threats. One of my disgruntled neighbors had the audacity to say, "If you love black people so much, why don't you just marry a monkey?"

All this drama and I didn't even have my teaching credentials yet. Luckily, some of my professors from University of California-Irvine read the article and invited my class to a seminar by the author of Schindler's List, Thomas Keneally. Keneally was so impressed by my students that a few days later we got an invitation to meet Steven Spielberg at Universal Studios. I couldn't believe it! The famous director wanted to meet the class that I had dubbed "as colorful as a box of Crayola crayons" and their "rookie teacher who was causing waves." He marveled at how far these "unteachable" students had come as a junior class and what a close group they had become. He even asked Sharaud what "we" were planning to do next year as an encore. After all, if a film does well, you make a sequel--if a class surpasses everyone's expectations, you . . .

. . . dismantle it! Yep, that's exactly what happened. Upon my return from Universal, the head of the English department told me, "You're making us look bad." Talk about bursting my bubble! How was I making them look bad? After all, these were the same kids that "wouldn't last a month" or "were too stupid" to read advanced placement books.

She went on to say, "Things are based on seniority around here." So, in other words, I was lucky to have a job, and keeping Sharaud and his posse another year would be pushing the envelope. Instead, I'd be teaching freshmen--"at risk" freshmen. Hmm . . . not exactly the assignment I was hoping for.

So, starting tomorrow, it's back to the drawing board. But I'm convinced that if Sharaud could change, then anyone can. So basically, I should prepare myself for a roomful of Sharauds. If it took a month to win Sharaud over . . . I wonder how long it's gonna take a bunch of feisty fourteen-year-olds to come around?

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Inspiring
By victoria medeiros
Inspiring to say the least...I laughed...I cried...I cheered everyone of those 150 Freedom Writers...to have persevered through every hardship imaginable & to come through it all with love...forgiveness...hope & inspiration is a testimony in itself...these kids are amazing & huge thanks to Ms G. For being more than just a teacher...to be a mentor...a friend...a critic at times when needed but always believing...you too are an amazing woman...I watched the movie & when it was over I was inspired to read the book...I am so glad I did...you have given this person something to think about...I'm not a teacher...I'm a schoolbus driver in the inner-city...I see alot of things out there on the road & on my bus...kids need more positive influences...more believing that things can change...maybe I can become a teacher on my bus & change things even if it's only with a smile for someone who knows only sadness...everybody needs to read this book....Thank You Ms G & Freedom Writers!!!

0 of 0 people found the following review helpful.
I saw the movie!!
By Kindle Customer
Such a grand story. I had to buy the book so I could learn more about this wonderful teacher and her incredible students.. such an inspiring story. I would wish that all our children have teachers to meet their needs such as these children got. I have incredible great grandchildren who I live with. I can only hope I can guide and inspire them as these wonderful kids continue to do. I will definitely save this story to share with others.

0 of 0 people found the following review helpful.
Read with her autobiography
By E. Spira
I showed my sophomore English students the movie after one of their state testing days when they needed a break. They LOVED it; they insisted we play the line game, and asked me why I didn't work two part-time jobs to take them to dinner at a fancy hotel. Truly though, the film made an impact. I bought a few copies of Freedom Writers' Diary, and those were borrowed instantly. I also borrowed a copy of Erin Gruwell's memoir, Teach with your Heart, which really tells the story behind the stories in the Diary. All these products were wonderful, and as someone who teaches grade-level students who are hard to reach with anything remotely literary, this story struck a chord with them and for once, I had kids ASKING to write. Students saw bits of their own lives in the work, and the importance of education in pulling themselves up by their own bootstraps. This book is definitely recommended for anyone in education, or who simply wants a little inspiration to achieve success in their own lives.

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Selasa, 05 Maret 2013

[U197.Ebook] Ebook Download Industrial Ventilation: A Manual of Recommended Practice for Operation and Maintenance, by ACGIH

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Industrial Ventilation: A Manual of Recommended Practice for Operation and Maintenance, by ACGIH

Book by ACGIH

  • Sales Rank: #2154877 in Books
  • Brand: Brand: American Conference of Governmental and Industrial Hygenists
  • Published on: 2006-11-01
  • Original language: English
  • Dimensions: 11.00" h x 8.50" w x 1.00" l,
  • Binding: Hardcover
  • 200 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
El libro esta OK

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Jumat, 01 Maret 2013

[D950.Ebook] Ebook Download The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception), by Daniel Leech-Wilkinson

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The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception), by Daniel Leech-Wilkinson

Scholars and performers of the nineteenth and twentieth centuries attempted to revive music that could evoke the Middle Ages. They invented new sounds and new ways of understanding medieval music. This is the fascinating story of the musicians and the societies in which they worked to remake a lost musical world.

  • Sales Rank: #3386667 in Books
  • Published on: 2007-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .79" w x 5.98" l, 1.12 pounds
  • Binding: Paperback
  • 348 pages

Review
"This book is a good read for anyone who is interested in medieval music or has an interest in how history, particularly music history, is written and developed." Music Educators Journal

"Part histoiography and part reception history, this meticulously researched volume reminds readers that no attempt to re-create the music of the past is likely to avoid doing sos through perspectives that are decidedly embedded in the present. Highly recommended." Choice

"The Modern Invention of Medieval Music is n important book. It raises fundamental questions about the relation among music, performance, and historical writing. It belongs on the reading lists of every graduate course in musicological methods, and by extension in the hands of any musicologist interested in how and (more importantly) why we write about music. I cannot praise this book enough for its imagination, daring and élan. It is a book that hits us where we live." Current Musicology, Thomas Irvine

About the Author
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.

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16 of 18 people found the following review helpful.
How early music performers got that way
By JFW
The author tells us how medieval and early Renaissance music acquired its voices-cum-instruments interpretation, then shows that the recent shift to unaccompanied voices in music of these periods is the recovery of an earlier understanding. The first chapter, "The invention of the voices-and-instruments hypothesis," shows that those who rediscovered old music in the 19th century considered it purely vocal music. Even Hugo Riemann in his Musik Lexicon (1892 and 1893 editions) agreed completely. But in his 1905 edition, Riemann insisted that untexted parts of polyphonic songs were played on instruments, and many phrases of texted melodies were actually instrumental preludes, interludes and postludes. This soon became the standard point of view, for Riemann's book was a popular and influential reference. Guido Adler was one of the few scholars who disagreed. Medieval illustrations of singers and instrumentalists were misinterpreted to reinforce this thinking. In chapter 2, "The re-invention of the a cappella hypothesis," he recounts the early reaction to this orthodoxy in the 1950s and the turning point of Christopher Page's 1977 article in Early Music. Since then, Page, Andrew Parrott and Paul Hillier have led many performances and recordings that demonstrated the sound of early music without instruments, and David Fallows supported their efforts in his writings. Two more chapters fill in the background of the arguments. National prejudices and Nazi ideology come into play, and details are provided. No one who listens to early music will want to pass up this magisterial treatment of its 20th-century evolution. The fight is not yet over, for most recordings of this music still use instruments in the fashion that Leech-Wilkinson thoroughly discredits in this engaging book.

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Jumat, 22 Februari 2013

[L162.Ebook] Fee Download She Who Restores the Roman Empire: The Biblical Prophecy of the Whore of Babylon, by David Criswell

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She Who Restores the Roman Empire: The Biblical Prophecy of the Whore of Babylon, by David Criswell

Of The Biblical prophecy of the Whore of Babylon St. Augustine said that the Church of Rome would one day apostatize while St. Jerome hinted that the day of apostasy may have already begun, but today even many Protestants reject this notion arguing instead that a new Babylonian kingdom will arise in Iraq. She Who Restores the Roman Empire is a thorough survey of this controversial prophecy. It examines the prophetic interpretations throughout history and shows their impact upon history. It shows how the prophecy itself helped shaped the Reformation and counter-Reformation. It also discusses the newer interpretations which predict a revival of ancient Babylon or a global New Age religion. Dr. Criswells conclusion is based on thorough exegesis and on historical precedent. He contends that it is the Harlot who will initiate the restoration of the Roman Empire and the anti-Christ will initially be his puppet before turning on her and destroying her great city. Napoleon was an archetype of the coming anti-Christ who will promise a new world but deliver destruction."David Criswell has done an outstanding job in handling the subject of Babylon the Harlot in the book of Revelation. As a Tyndale Seminary graduate student, he was a thorough researcher and scholar. No matter what your view on the "Babylon" issue, this book is a classic at analyzing the subject. The reader will find this treatise a fascinating adventure in Bible study."Dr. Mal Couch, president, Tyndale Seminary

  • Sales Rank: #5827673 in Books
  • Published on: 2002-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.14" w x 6.00" l, 1.54 pounds
  • Binding: Paperback
  • 452 pages

About the Author
David Criswell has a Ph.D. from Tyndale Seminary in Fort Worth, Texas and a M.Div. from Criswell College. He has written on issues in science, religion, and history ranging from anthropology to medical ethics to the Holy Roman Empire. He is a member of Tim LaHaye's Pre-Trib Research Center.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Fair and Balanced
By Evelyn Wells
The above reviewer betrays his own biases with some of his remarks. For one thing, Pre-Tribulationism is a minor aspect of the book. It has over 1350 footnotes, so simply claiming that the quotes from the Church Fathers are lies is not a response. You don't have to agree with the authors conclusions, but the emotional reaction against "reformational" theology is not a fair and balanced reaction. The book is well documented, although it does contain many errors which a good publisher would have caught.

It should be noted that the book was written as a dissertation, so it is geared toward an educated evangelical Christian audience, which is one reason that the above critic may not have received the book well. Overall, it is an interesting, but heavy, reading. I give it three or four stars.

0 of 2 people found the following review helpful.
Could benefit from recent scholarship and more
By PeacefulSeeker
Reads great--I enjoyed it much like the DaVinci Code, but with a great deal of informed skepticism.
Plus it needs to be proofread for textual errors. Page 206 refers to a "Nazarite Sect" and I think it was supposed to say "Nazarene." There are other problems like that.

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Jumat, 15 Februari 2013

[J371.Ebook] PDF Download Lola: A Ghost Story, by J. Torres

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  • Jesse sees dead people, monsters, demons, and lots of other things that go bump in the night that no one else can see. No one except his ailing grandmother — a woman who used her visions to help those living in her small town... the same rural community in all the scary stories Jesse's heard as a child. Man-eating ogres in trees. Farmhouses haunted by wraiths. Even pigs possessed by the devil. Upon his grandmother's passing, Jesse has no choice but to face his demons and whatever else might be awaiting him at grandma's house.

  • Sales Rank: #1779457 in Books
  • Published on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 7.20" l, 1.05 pounds
  • Binding: Hardcover
  • 112 pages

From School Library Journal
Grade 7 Up—Lola ("grandmother" in Tagalog) has just died, and Jesse is reluctant to visit her home in the Philippines. He was afraid of her because she was rumored to have magical abilities, and because he thinks she tried to drown him when he was a baby. Jesse listens to family members tell stories about her as he tries to adjust to their strange mix of superstitions and religion. Lola is one of several dead characters in this book, and they tie into another reason that the boy is worried about this trip. Jesse is an unusually nuanced character, both in relation to his family and to readers. When he sees something extraordinary, it's unclear if he is dreaming, hallucinating, or if he has inherited his grandmother's abilities. Torres's gradual revelation of details will keep readers hanging until they learn the truth. Or's artwork uses sepia tones and smooth lines, and features characters with cute button eyes. But the sweet images can quickly turn horrific when Jesse has his visions. Lola ends with a cliff-hanger that could be resolved in a sequel but that just might have to be resolved by readers' imaginations.—Andrea Lipinski, New York Public Library
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
Torres and Or's tale is the sort of quiet horror story that moves along simply, lulling you into false security, before twisting quickly in another direction right at the end. The details of Jesse's powers are doled out slowly, not just thrown right at you, and so it's easy to think that his reluctance to travel is due to being uncomfortable in a different country, being annoyed by his relatives, or just being a young teen. It's not until we begin to see his visions during Lola's funeral that we realize just why Jesse is as nervous as he is. Then, as his cousin Maritess begins to try to help him deal with his powers, we think that he might just be alright. Maybe he'll learn to handle the visions, maybe his parents will be okay with his abilities as they were accepting of Lola's, maybe things will work out. It's a comforting thought that makes the final twist work even more effectively.

Or's art is as quiet as Jesse is. The characters' rounded faces seem gentle, so when Jesse's visions of death and decay begin, they are as jarring as a rotting corpse in a flower bed. But even though Or's art can be shocking, this is still horror that is appropriate for most middle school audiences. The blood and guts are kept to a minimum, used sparingly for effect, with only three pages having zombie-style (meaning: guts falling out) illustrations. The horror is built more from the looks on Jesse's face. He is tortured by what he sees, pained by the knowledge that the world isn't the safe, easy place that many people believe it to be. Maritess' respect for Jesse's abilities and her slight jealousy of his inheritance of Lola's powers is evident on her face, but that look soon begins to fade as she realizes what his visions have cost him.

Though readers are left unsure of Jesse's fate at the end of this volume--and though there is no guarantee of a second volume--that ending works perfectly for the type of horror this story is. Jesse's world is not safe, even if his story has a folkloric, almost old-fashioned quality to parts of it. The ending reminds us that he has issues beyond our ken to deal with at a very young age and we can't help but be sympathetic to them, even as we shudder at what he sees. Though the oversized format and the bright cover might not catch the eye of horror readers, with some booktalking this title is sure to find an audience. --Publishers Weekly School Library Journal

Most helpful customer reviews

0 of 0 people found the following review helpful.
Creepy Ghost Story
By Nicola Mansfield
Reason for Reading: This was a Cybils '10 nominee and as a panelist for Graphic Novels was required reading for me. The panelists did not receive a review copy from the publisher and like most other panelists, I, unfortunately, was unable to find a copy before our nominations were due. My copy from Interlibrary Loan request had just now come in.

This is a great ghost story told in the classic tradition and very worthy to be read by all ghost story aficionados. Jesse sees dead people, goblins, demons, monsters, etc. but he's learned to stop telling anyone since his parents' and teachers' reactions have been less than accepting. Now he and his family are traveling "home" to the Philippines; Jesse's parents immigrated to Canada when he was four and this is his third visit here. He hates it here. They have come for the funeral of his grandmother, "Lola" in Filipino. The culture of his Filipino family is quite hard for Jesse to accept, they are devout Catholics, carrying Rosaries, with beautiful shrines of worship in the house and yet they are steeped in the superstitions of tradition. Lola had the "gift" and he's heard all the stories of how she's helped the community and even defeated demons. Jesse fears what it will be like here now that Lola is gone.

A fabulous story with lots of creepy moments. The tension mounts slowly through the story. Things start happening right away and the reader becomes unsettled knowing something is not quite right. Gradually we learn what is going on, and Jesse realizes the truth as well. His cousin easily figures out Jesse's gift and berates him for hiding it, telling him it is a gift from God and he must use it. He has something he must do before he leaves. Then like any really good ghost story the book ends with a really fantastic heart-pounding shocker of an ending where one can only imagine what comes next. Loved this one!

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