Kamis, 31 Juli 2014

[N906.Ebook] Get Free Ebook Analysis II: Third Edition (Texts and Readings in Mathematics), by Terence Tao

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Analysis II: Third Edition (Texts and Readings in Mathematics), by Terence Tao

This is part two of a two-volume book on real analysis and is intended for senior undergraduate students of mathematics who have already been exposed to calculus. The emphasis is on rigour and foundations of analysis. Beginning with the construction of the number systems and set theory, the book discusses the basics of analysis (limits, series, continuity, differentiation, Riemann integration), through to power series, several variable calculus and Fourier analysis, and then finally the Lebesgue integral. These are almost entirely set in the concrete setting of the real line and Euclidean spaces, although there is some material on abstract metric and topological spaces. The book also has appendices on mathematical logic and the decimal system. The entire text (omitting some less central topics) can be taught in two quarters of 25–30 lectures each. The course material is deeply intertwined with the exercises, as it is intended that the student actively learn the material (and practice thinking and writing rigorously) by proving several of the key results in the theory. 

  • Sales Rank: #1217598 in Books
  • Published on: 2016-09-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x .75" l, 1.23 pounds
  • Binding: Hardcover
  • 218 pages

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0 of 5 people found the following review helpful.
Five Stars
By Amazon Customer
Wonderful Book! Thank you so much!

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Sabtu, 26 Juli 2014

[G969.Ebook] Get Free Ebook Roots of the great debate in mission, by Roger E Hedlund

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Roots of the great debate in mission, by Roger E Hedlund

  • Sales Rank: #9059403 in Books
  • Published on: 1981
  • Binding: Unknown Binding
  • 419 pages

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Kamis, 24 Juli 2014

[O743.Ebook] Free PDF Fundamental Techniques of Classic Cuisine, by French Culinary Institute

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Fundamental Techniques of Classic Cuisine, by French Culinary Institute

In 1984, Dorothy Cann Hamilton founded The French Culinary Institute with a singular vision: She wanted to create a culinary school that combined classic French techniques with American inventiveness in a fast-paced curriculum. Since then, the FCI has gone on to become one of the most prestigious culinary schools in the world, boasting a list of alumni that includes the likes of Matthew Kenney and Bobby Flay and a faculty of such luminaries as Jacques Pepin, Andrea Immer, and Jacques Torres. But perhaps the greatest achievement of the FCI is its Total Immersionsm curriculum, in which the classes prepare a student to cook in any type of kitchen for any kind of cuisine.

Now, for the first time ever, all the best that the FCI has to offer can be found in a single sumptuous volume. The Fundamental Techniques of Classic Cuisine presents the six- and nine-week courses taught at the FCI that cover all 250 basic techniques of French cooking. Along with more than 650 full-color photographs, the book features more than 200 classic recipes as well as new recipes developed by some of the school's most famous graduates. Complete with insider tips and invaluable advice from the FCI, this will be an indispensable addition to the library of serious home cooks everywhere.

  • Sales Rank: #145027 in Books
  • Brand: Brand: Stewart, Tabori and Chang
  • Published on: 2007-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.75" w x 10.38" l, 5.94 pounds
  • Binding: Hardcover
  • 496 pages
Features
  • Used Book in Good Condition

About the Author
For more than 20 years, The French Culinary Institute in Manhattan has been teaching the fundamentals of Western cuisine through its Total Immersion(tm) curriculum. With a world-class faculty, a renowned culinary theater, a celebrated student-run restaurant (L'Ecole), and business as well as cooking and wine courses, the FCI is among the leading schools of its kind anywhere. The school is under the direction of deans Jacques Pepin, Alain Sailhac, André Soltner, Jacques Torres, Alice Waters, Andrea Robinson, and Alan Richman.

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94 of 95 people found the following review helpful.
Oooh la la! Magnifique!
By Laura @ Cucina Testa Rossa
This book is outstanding! A must-have for every kitchen regardless of how experienced a cook you are. I attended the full time 6-month culinary program at the FCI a few years ago and this is almost verbatim our first quarter (6 week) curriculum. We then spent the next 3 quarters refining and practicing and expanding on all these techniques. If you don't want to sacrifice 6 months and $50,000 (an endless cuts and burns and bad hair days) to attend cooking school, then buy this book and cook every recipe over and over and you will become an excellent cook. If you master all the skills and techniques in the book, you can walk into any kitchen and hold your own as this is the foundation of classic cooking and the language of the kitchen.

Hints and tips from the Deans and Chef Instructors pepper the book for every technique with tidbits such as "...cook beans at a constant low temperature and cool them in their cooking liquid. ~ Dean Alain Sailhac" or "Do not cover a chicken after roasting or it will steam and make the meat taste reheated." ~Dean Jacques Pepin". It's like getting a personal cooking lesson from the greatest chefs of our time. The book teaches the 250 foundation techniques including stocks, sauces, soups, salads, eggs, potatoes, poultry, beef, veal, lamb, pork, fish, shellfish, marinades, stuffings, organ meats (my least favorite day in cooking school!), pastry dough, creams & custards, crepes, brioche, frozen desserts, meringues, mousses, and soufflés (my favorite day in cooking school! :)

It also explains in great detail terms in a kitchen, names of equipment and pots and pans, food safety, knifes and knife skills, and professional kitchen management. If you want to become an outstanding home cook or are considering or about to attend cooking school, I strongly recommend devouring (pun intended) this book. If you learn this book, or at least become familiar with all the techniques, then you will be leaps and bounds ahead of the game. Bon courage et bon appetit!

5 of 5 people found the following review helpful.
Amazing technique book
By J. Canfield
This is an amazing book to learn technique. It is very well written with a detailed instruction on how to execute cooking techniques. Is also important though that I note that the book is written by the French culinary Institute and as such covers French cooking techniques mainly classical. Some of these classical techniques are sauté, braising, poaching, grilling, frying, poele,and Roasting. The book also covers knife cuts and decent detail although if you are looking to learn knife cuts exclusively I would recommend looking into a different book that specializes in covering knife cuts. If you are a home cook looking to purchase this book I would venture to say it will greatly improve your cooking, if you're industry professional than I would venture to say will definitely sharpen your technique.

1 of 1 people found the following review helpful.
So Useful!
By Catherine E. Burke
I checked this book out of the Library and, after renewing it twice (my limit on renewals), I realized that it was a book I absolutely HAD to own. I've been cooking for myself, my friends, and my family for years, and have always gotten rave reviews on my cooking. This book, however, is helping me to take it to the next level. By explaining the basics of how pretty much everything is cooked, it helps you understand exactly why you do certain things in the kitchen, and why they make a difference in your food.

I would recommend this both for experienced cooks and for beginners, as its instructions are very clear, and it is organized around teaching you how to cook, from the bottom up (right down to how you properly cut vegetables). Each step is illustrated and outlined, and there are recipes throughout to help you practice the techniques.

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Selasa, 22 Juli 2014

[Z920.Ebook] PDF Download Mister Death's Blue-Eyed Girls, by Mary Downing Hahn

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Mister Death's Blue-Eyed Girls, by Mary Downing Hahn

Based on an actual crime in 1955, this YA novel is at once a mystery and a coming-of-age story. The brutal murder of two teenage girls on the last day of Nora Cunningham’s junior year in high school throws Nora into turmoil. Her certainties—friendships, religion, her prudence, her resolve to find a boyfriend taller than she is—are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy’s guilt, and finally comes to believe him innocent—the lone dissenting voice in Elmgrove. Told from several different perspectives, including that of the murderer, Mister Death’s Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

  • Sales Rank: #971775 in Books
  • Brand: Hahn, Mary Downing
  • Published on: 2013-04-16
  • Released on: 2013-04-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.50" l, .40 pounds
  • Binding: Paperback
  • 336 pages

From School Library Journal
Gr 7 Up-Nora Cunningham's world turns upside down when two of her teenage girlfriends are killed. Buddy Novak, the ex-boyfriend of one of the girls, is the prime suspect, and Nora and the rest of the town believe that he is guilty. As she learns more, however, she starts to doubt that he was involved. Nora also faces her own tribulations in her small town of Elmgrove, Maryland. She once was so sure of her life, but now she questions who she is and what she wants. Hahn's novel (Clarion, 2012), set in 1955, is a combination of a mystery and a coming-of-age story and is based on an actual crime that the author lived through as a teenager. It is told through alternating points of view between Nora and the individual responsible for the crimes. The narration immediately sets the mood with Nick Podehl's dark, hushed tones that sound manic and even scary at times. A definite purchase for those looking to add quality fiction to their audiobook collections.-Katie Llera, Bound Brook High School, NJα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
A Kirkus Best Teen Book of 2012 * "An engrossing exploration of how a murder affects a community."—Kirkus Reviews, starred review "This is a thinking-teen's mystery."—Bulletin "Hahn emphasizes the universality of growing up and facing death."—Horn Book * "This wrenching novel offers an aggregate portrait of the effects of loss and grief, including both the strengthening and dissolution of relationships."—Publishers Weekly, starred review "This creepy tale slowly and craftily builds tension . . . It has the added feature of offering a unique snapshot of life in the 1950's."—School Library Journal "The veracity of this tragedy raises the stakes for readers who are already fans of Hahn's supernatural fiction, and the coming-of-age component of Nora's shattered naĂ¯vetĂ© is all the more searing."—Bulletin

From the Author
This is the most difficult book I've ever written, mainly because it is based loosely on my own experiences as a teenager. Writing it brought back memories as intense as the day they happened. When I sat down at the computer, I traveled straight back into the past. I remembered the words of songs I'd never really forgotten, poetry and books and movies, the clothes we wore, the things we talked about -- and thought about, my feelings of inadequacy and insecurity, my increasing religious doubts, my uneasy relationship with my mother, and so on. Since it is unlike my other books, I challenged myself  to experiment by using the present tense and employing multiple points of view-- very liberating. When I finally finished the book, I was very nervous about its reception. Would kids read it thinking it was a typical middle school ghost story? Would some be offended by Nora's leaving the Church? Or by her curiosity about sex? Or the smoking and drinking? Would people who remembered the murders be upset by my factionalized treatment of the events set in motion that June morning in 1955? Well, I told myself, we write the stories we have to write. And this is the best book I've ever written. At least I think so.

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2 of 2 people found the following review helpful.
Review from Esther's Ever After
By Brenna
Confession: I've had a longtime obsession with crime stories. I blame my family (and too much old A&E TV shows as a child, and maybe a few too many years of CSI more recently) for this. I'm fascinated by it. I'm horrified and disturbed at times. But there's nothing scarier than some of these real life stories.

Needless to say, Mister Death's Blue-Eyed Girls caught my eye for exactly this reason. And I think it was also because of this that led to my unfortunate disappointment with the book as a whole. It really wasn't the crime story I was hoping for, not at all.

Reasons to Read:

1.A coming of age story:

I might have liked this book more if I had had a better idea that I was supposed to expect a coming of age story rather than a crime story. And it's a fascinating look at one turn of events that tragically impacted a large number of people. But our narrator, Nora, finds this stage of her life to be almost completely defined by this murder - it really does end up triggering a number of life changing decisions and realizations for her.

2.The setting: 1950s small town:

I absolutely loved the vintage feel of the book - from the pop culture, the little bits of fashion talked about, the ideas, the struggles, the societal changes, etc. It was fascinating for me to read about and a time period that YA doesn't typically feature.
The real problem with this book for me though was that it didn't feel like fiction. Instead, it felt more like a memoir which makes sense if you read the Acknowledgements of the book, where Mary talks about how this book was inspired by an event which actually happened to her as a teenager. And she lays out the truth of what happened - which is actually VERY, extremely close to what happens in the book. So rather than feeling like fiction, Mister Death read to me like (a biased) account of Mary's experiences with the murder of two teen girls she knew.

And normally this wouldn't be an issue. Except for when it comes to who the killer is - Nora has doubts that the ex-boyfriend, Buddy, killed the girls even though the entire town believes it was him. Mary explains how she has the same doubts, so this read to me (without seeing any real evidence of who committed the murders) as if this book was supposed to portray (what she believes to be) what ACTUALLY happened, even if no one believes it. Then the book was labelled as "fiction" in case anyone was upset by the message.

I'm not a fan of this. But regardless, I still felt like much of the book revolved around external experiences rather than the murder itself, which is why I wanted to warn you that it really isn't a crime story. After the murders occur, the story breaks off to Nora's life. About her relationship with boys, about her doubts regarding her faith, and growing up and losing friends. But I had a difficult time piecing it all together, and along with the numerous other points of view (there were 8 in total, I believe, including Nora's) made the story feel far too convoluted for me.

Review copy received from Thomas Allen & Son Ltd for my honest review; no other compensation was received.

2 of 2 people found the following review helpful.
A Gem Of A Book
By April
Mister Death's Blue-Eyed Girls by Mary Downing Han' is a well-written historical fiction YA novel about the murder of two girls which shakes a small town in the 1950s. Nora, the main character, is at the heart of Mister Death's Blue-Eyed Girls'. Nora is friends with the victims, Cheryl and Bobbi-Jo and hangs out with them the night before their murders. The deaths of the two girls come as a shock to Nora. Much of Elmgrove, the Baltimore suburb in which this book is set, believes Cheryl's ex, a ne'er do well named Buddy was the killer, but Nora has her doubts, which the book explores.

The structure of Mister Death's Blue-Eyed Girls' is quite interesting. The book is divided into alternate point of view chapters with letters as well as diary entries. Further, we also get the point of view of the killer which is incredibly creepy. The narrative structure lends itself quite well to exploring themes of tragedy and growing up.

Tragedy changes Elmgrove. The residents' sense of safety is shaken. Those close to it experience deep hurt and pain, as is typical to the grieving process. Yet, we also get to see Nora's reactions to those who sensationalize the tragedy, those who are kind to her because they want the lurid details. Mary Downing Hahn' does a fair job portraying the very real emotions and different faces that tragedy can wear.

Perhaps the best part of Mister Death's Blue-Eyed Girls' is the dynamism of Nora as a character. She starts out as quite an immature young girl, with her biggest worry being if the popular jock notices her or not. Then we see Nora deeply questioning different aspects of her life as an outcome of the murders. Nora does question her faith as well, but in a respectful manner. I think that a lot of teenagers will be able to identify with Nora's turning points and with her questioning, even if tragedy has not struck their lives.

In all, Mister Death's Blue-Eyed Girls by Mary Downing Hahn 'is a book that stands out. It is fast-paced, engaging and thought-provoking. While Mister Death's Blue Eyed Girls' may not have the fanfare of bigger YA releases, it is a gem of a book that I absolutely would recommend for readers who enjoy true crime as well as historical fiction.

3 of 4 people found the following review helpful.
Unassuming solid read
By sanoe.net
Mary Downing Hahn's "Mister Death's Blue-Eyed Girls" is based on a real life event in the author's life. The time period is when she was a teenager in the mid-50s.

I am really grateful that Ms Hahn remained in that time period rather than trying to 'modernize' it to the current time period because the 50s, with its unique anachronisms and cultural habits, give the story of a murder and suspicion that extra tension.

An example is the difference between watching Robert Mitchum's "Cape Fear" and the Robert DeNiro's "Cape Fear." The way of living in the 50s is different from this modern era and Hahn, having grown up in that era, translates it accurately and in an unassuming way.

Her lead character, Nora, is full of youthful dreams and vigor. She's well aware of her flaws but not obsessed with them. She's moving along in life with normal anxieties about the family car being too old and worn or daydreaming about her crush who'll never look twice at her.

But when an event disrupts her town, it disrupts her life as well as she is closer than most.

Hahn writes in an unpretentious but precise way. The reader feels the change in tone as the situation gets tighter. It almost plays like an old Hitchcock film but YA style.

The great and honest thing is that Hahn offers no easy out at the end because in true, old fashioned YA style (think "The Chocolate War"), life isn't always easy and what should happen doesn't always happen.

Suffice it to say, I enjoyed reading this book. The ambience of the 50s, the tension of suspicion, the loss of innocence, it all played out solidly in this gem of a novel.

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Sabtu, 19 Juli 2014

[D106.Ebook] Ebook Islamic Art and Architecture: The System of Geometric Design, by Issam El-Said

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Islamic Art and Architecture: The System of Geometric Design, by Issam El-Said

Issam El-Said pinpoints the rules of composition that form the basis of the geometric concepts of Islamic art. He then shows how intricate patterns are based on these basic principles. Fully illustrated in three colors to show the development of the patterns, this book offers an insight into how craftsmen and designers in the Muslim world achieved monumental feats of artistic expression using the simplest of tools. Chapter I presents graphical analyses of numerous complex patterns, to reveal the numerical rationale behind them. In Chapter II, the author analyses the system of measure used in ancient Egypt, before the use of numbers for calculating measurements. He shows how measuring cords and a geometric method based on a grid-pattern originating from the circle were employed by master craftsmen in the design of Islamic art and architecture. The book offers an insight into how craftsmen and designers in the Muslim world have achieved monumental feats of artistic expression with harmony and precision, using the simplest of tools such as a ruler, a string and templates, together with a system of measure that is both simple and sophisticated.

  • Sales Rank: #566201 in Books
  • Published on: 1998-02-14
  • Original language: English
  • Dimensions: 9.00" h x .60" w x 13.00" l, 2.46 pounds
  • Binding: Hardcover
  • 112 pages

Review
‘One need not be adept at measurement and computation to be mesmerized by and drawn into the visual analysis Said offers here.’

About the Author
Issam El-Said (1938-1988) was an Iraqi artist and scholar. He earned an Architecture degree from Corpus Christi College, Cambridge in 1961; studied art at Hammersmith College of Art and Design, London and prepared for a PhD on the Methodology of Geometric Proportioning in Islamic Architecture at the University of Newcastle-upon-Tyne in 1988, which was sadly not completed due to his untimely death that year. As an artist, he achieved great renown and his works are in private and public collections worldwide including the British Museum, the Victoria and Albert Museum and the National Museums in Baghdad and Amman.

Most helpful customer reviews

6 of 6 people found the following review helpful.
islamic art & Architecture Geommetric designs
By Remy
good book but all in black & white don't expect any beautiful photos as examples. the ways they do these designs it is just what you 've got. Mathematics explainations only useful for experts but the drawings speak for themselves happily. Way too expensive, a souple cover and smaller size would have been enough

7 of 8 people found the following review helpful.
Deeper understanding of Islamic geometric pattern making
By Laith Wark
This book reveals the stuctures of Islamic geomtric pattern making. There are quite a few "pattern books" with many examples of beautiful patterns. However this book reveals the concept of "the repeat unit of a geometric pattern" and the principles of measure involved. There are three main repeat units. It also contains many beautiful examples of patterns that can be generated by each repeat unit.

I thoroughly recommend this book for anyone interested in gaining a deeper understanding of Islamic geometric patterns.

Laith Wark

28 of 29 people found the following review helpful.
Shows tile design on Muslim monuments like the Taj Mahal.
By elwood@redland.net.au Noel Wood
If you are interested in high school maths or tiling in general this book shows how Islamic artists create most of the geometric tiling patterns found in Muslim monuments such as the Taj Mahal in India or the Alhambra in Spain. Issam shows how using the ancient greek techniques of a compass and a straight edge all of the tile designs are achieved. He also goes into the history of how these tile patterns were achieved. This book is written after Issam died from his notes and other previous work and is a summary of Issam's work so it probably represents the last chance to have these tile patterns explained. As a maths teacher myself I have never been so impressed by a book. It not only has great content but its diagrams are beautiful.

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Jumat, 11 Juli 2014

[Y326.Ebook] PDF Download Principles of Optimal Design: Modeling and Computation, by Panos Y. Papalambros, Douglas J. Wilde

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Principles of Optimal Design: Modeling and Computation, by Panos Y. Papalambros, Douglas J. Wilde

This text discusses modelling for design optimization. It presents a condensed version of classical optimization theory and numerical algorithms, which it integrates with the newer ideas of monotonicity analysis and model boundedness. Careful definition of new concepts and rigorous proof of simple but important principles are followed by immediate applications. It begins with the definition of modelling and the optimization problem and outlines the limitations of this approach. The authors then move on to discuss the important but rarely emphasized concepts of boundedness checking, the idea that the parameters of every model should be verified and simplified; and monotonicity analysis, a method of determining which variables actively constrain a model. Then the discussion turns to the classical theory of differential optimization and hence to powerful numerical optimization techniques. Extensive examples and exercises aid the student and provide practice. A knowledge of differential calculus is helpful.

  • Sales Rank: #14464442 in Books
  • Published on: 1991-09-27
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.96" h x .94" w x 6.97" l,
  • Binding: Paperback
  • 438 pages

Review
' This is a very well written textbook ... The reviewer would feel very comfortable teaching a course using this as a textbook.' Mathematical Reviews

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Ajisafe gbenga
Very easy undetstanding

6 of 6 people found the following review helpful.
A Well Written Engineering Text
By Tom Dicorcia
The topic -- Optimal Design -- is difficult and treating it efficiently requires a high ratio of mathematical expressions to prose. Despite this, the authors' prose is superb. This is a very readable advanced engineering text, provided that the reader is well-versed in linear algebra. A lot of care went into the writing, the design, and the consistent use of symbols throughout. The appendix includes and extensive list of references, an author index and a subject index. One shortcoming is that no solutions are given for problems. Students would benefit from having solutions to some subset of the problems.

1 of 8 people found the following review helpful.
For math geeks
By George
I am a mechanical engineering major studying for my Masters. This book seems very math-centric. More abstract than practical. However if you need to look under the hood of optimization and are good with symbolic math including gradients, derivatives and the like, this book is ok. However this book is hard to read for an average engineer who does not do math for math's sake. So I recommend this book for a read, but only if you are required to.

George

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Jumat, 04 Juli 2014

[E560.Ebook] Free Ebook Turbo Twenty-Three: A Stephanie Plum Novel, by Janet Evanovich

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Turbo Twenty-Three: A Stephanie Plum Novel, by Janet Evanovich

In the heart of Trenton, N.J., a killer is out to make sure someone gets his just desserts.
 
Larry Virgil skipped out on his latest court date after he was arrested for hijacking an eighteen-wheeler full of premium bourbon. Fortunately for bounty hunter Stephanie Plum, Larry is just stupid enough to attempt almost the exact same crime again. Only this time he flees the scene, leaving behind a freezer truck loaded with Bogart ice cream and a dead body—frozen solid and covered in chocolate and chopped pecans.
 
As fate would have it, Stephanie’s mentor and occasional employer, Ranger, needs her to go undercover at the Bogart factory to find out who’s putting their employees on ice and sabotaging the business. It’s going to be hard for Stephanie to keep her hands off all that ice cream, and even harder for her to keep her hands off Ranger. It’s also going to be hard to explain to Trenton’s hottest cop, Joe Morelli, why she is spending late nights with Ranger, late nights with Lula and Randy Briggs—who are naked and afraid—and late nights keeping tabs on Grandma Mazur and her new fella. Stephanie Plum has a lot on her plate, but for a girl who claims to have “virtually no marketable skills,” these are the kinds of sweet assignments she does best.

  • Sales Rank: #60 in Books
  • Brand: Bantam
  • Published on: 2016-11-15
  • Released on: 2016-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.55" h x 1.17" w x 6.37" l, 1.00 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Turbo Twenty-Three: A Stephanie Plum Novel

About the Author
Janet Evanovich is the #1 New York Times bestselling author of the Stephanie Plum series, the Knight and Moon series, the Fox and O’Hare series, the Lizzy and Diesel series, the Alexandra Barnaby novels and Troublemaker graphic novel, and How I Write: Secrets of a Bestselling Author.

Excerpt. © Reprinted by permission. All rights reserved.
One

Monday

Larry Virgil is a lanky, grease--stained guy in his forties. He lives alone in the back room of his auto body shop on Baker Street in north Trenton, and he hasn’t cut his hair in at least ten years. For all I know that was also the last time he washed it. He has a reputation for drinking too much and abusing women, and he has a hotdog with testicles tattooed on his forehead. I suppose it might be a penis, but it’s not a very good tattoo, and I prefer to think it’s a hotdog.
None of this would be any of my business, but a couple months ago Trenton’s finest caught Virgil hijacking an eighteen--wheeler filled with cases of premium bourbon. Virgil was arrested and subsequently bonded out by my bail bondsman cousin and employer, Vincent Plum. Virgil failed to appear for his court appearance a week ago, and Vinnie isn’t happy. If Virgil isn’t brought back into the system in a timely fashion, Vinnie will lose his bond money.
My name is Stephanie Plum. I’m a college graduate with virtually no marketable skills, so for the past several years I’ve been tracking down Vinnie’s skips. What I lack in expertise I make up for with desperation and tenacity, because I only get paid when I catch someone.
It was ten o’clock at night in mid--September, and cool enough for me to need a sweatshirt over my T--shirt. I was currently pulling surveillance on Larry Virgil’s three--bay garage, hoping to catch him entering or exiting. I was with my wheelman, Lula. We’d been sitting across from the garage for over two hours and my eyes were crossing out of boredom.
“This isn’t going anywhere,” I said to Lula. “He isn’t answering his phone, and there aren’t any lights on in the building.”
Lula is a former ’ho who Vinnie hired as a file clerk a while back. When files went digital he didn’t have the guts to fire her, so now Lula shows up every day for work and pretty much does whatever she wants. Mostly she hangs with me. She’s shorter than I am. She packs a lot more bodacious voluptuousness into her clothes than I do. Her hair is currently pink. Her skin is always brown. Her attitude is “Say what?”
I’m pale in comparison to Lula. I have shoulder--length mostly unmanageable curly brown hair that’s usually pulled into a ponytail, and I’ve been told I look a little like Julia Roberts when she played a hooker in Pretty Woman. I think this is mostly a compliment, right?
“My personal opinion is that this loser skipped town,” Lula said. “It’s not like he got family here. And we’re not lookin’ at someone with a active social life. Only time this man goes out is to hijack a truck, and he got a crimp put in that activity.”
Lights flashed at the cross street and an eighteen--wheeler chugged toward us and parked in front of the lot attached to the garage. The lot was enclosed by a six--foot--high chain link fence topped with razor wire. A man swung down from the cab of the truck and walked to the gate. He fiddled with the lock and the gate swung open.
“It’s him,” Lula said, sticking her hand into her big bedazzled purse and rooting around in it looking for her gun. “It’s that punk--ass Larry Virgil. I told you he’d be back. I got a gun in here somewhere. Hold on while I get my gun.”
“We don’t need guns,” I said. “He’s not known for being armed. All we have to do is wait for him to get inside and then we’ll sneak in and slap the cuffs on him.”
“I got it,” Lula said. “I got my gun. Let’s go!”
“Not yet,” I said.
Too late. Lula was out from behind the wheel of her Firebird, running across the road, waving her gun and yelling, “Bond enforcement!”
Virgil went deer in the headlights for a moment, then bolted for the corner with Lula in pursuit. Even in the dark of night I could see that Lula was running flat--out in her spike--heeled Via Spigas. Her spandex miniskirt was up around her waist, and one of her basketball--sized boobs had popped out of her tank top.
“Stop or I’ll shoot you dead,” Lula yelled at Virgil.
I was running behind Lula, trying to close in on her. “Don’t you dare shoot him,” I shouted. “No shooting!”
Virgil crossed the street and ran back toward the garage. He reached Lula’s red Firebird, wrenched the door open, jumped in, and took off.
“He got my Firebird!” Lula shrieked. “He got my baby! And my purse is in there too. I personally bedazzled that purse. It was one of a kind. And it got all my makeup in there.”
“Guess you left the key in the ignition,” I said, gasping for air, coming alongside Lula.
“And you told me not to shoot him,” Lula said. “This is all your fault. If I put some holes in him this would never have happened.”
“I’ll call it in to the police,” I said.
“I’m not waiting for no police,” Lula said. “I’m going after that punk--ass.”
“You won’t catch him on foot.”
“I’m not going on foot. I’m taking his truck.”
“Do you know how to drive a truck?”
“Sure I know how to drive a truck,” Lula said. “What’s to know?”
She got a foot onto the first step up to the cab but couldn’t get any lift.
“This here stupid thing is too high,” Lula said. “Get your hand under my ass and give me a shove up.”
“Not for all the tea in China,” I said.
“Then go around and pull me in.”
I climbed into the cab from the passenger side, crawled over, and gave Lula a hand up.
“This is a bad idea,” I said. “You haven’t a clue where he’s headed. He’s disappeared, and on top of that he probably stole this truck.”
“I know where he’s going,” Lula said. “He’s going to the chop shop on Stark. He’s gonna sell my Firebird off for pieces. That’s what these creeps do. They got no respect for people’s personal vehicles.”
I took my cellphone out of my pocket. “I’m calling it in.”
Lula stared at the dash. “There’s a awful lot of doohickeys here.”
“I thought you said you knew how to drive one of these.”
“I’m just sayin’ this here’s a fancy rig. It got a cup holder and everything.” She looked down at the floor. “It got a lot of pedals down there. What the heck is that big one?”
“That’s the clutch pedal.”
“Yeah, it’s all coming back to me. I used to drive my Uncle Jimmy’s dump truck before I got established as a ’ho.”
She planted a Via Spiga on the clutch pedal and shifted. “Here goes nothing.”
The truck lurched forward and ground through a gear.
“That didn’t sound good,” I said.
“No problem,” Lula said. “It don’t matter if we lose a gear or two on account of this baby got a lot of them.”
We slowly drove down the street.
“This here’s a piece of cake,” Lula said.
She turned a corner and took out a trash receptacle.
“Uh, you might have cut that corner a little tight,” I said.
“Yeah, but did you see how smooth this beauty rolled over that garbage can? It’s like driving a tank.”
“There’s a red light at the cross street,” I said. “You know how to stop, right?”
“I step on the brake.”
“Yeah, but will the big trailer behind us stop at the same time?”
Lula looked down at the floor. “I guess it’s all hooked together being that I only see one brake pedal.”
“The light! The road!” I yelled.
Lula sailed through the intersection.
“You just ran the light!” I said.
“Oops,” Lula said. “My bad. Good thing there weren’t any cars there.”
I caught flashing strobes in my side mirror. “I think we have a cop behind us,” I said. “You should pull over.”
“No way,” Lula said. “It’ll waste my time and I gotta get to the chop shop before they start on my Firebird. I’ll outmaneuver the guy behind me.”
“You’re driving a truck! You can’t even turn a corner, much less outmaneuver someone.”
“Boy, you’re getting cranky. Anyways, this could be a good thing. What we got here is a police escort. He’ll come in handy when we get to Stark Street and we confront Larry Virgil. This is our lucky day.”
The cop car zipped past us and came to a stop just before the next intersection, blocking our way. Two patrolmen got out, guns drawn.
“Hit the brakes,” I said to Lula. “Hit the brakes!”
Lula stomped on the brake pedal, and the rig slowed down but didn’t stop. The patrolmen jumped out of the way, and Lula punted the patrol car halfway down the block before bringing the semi to a stop.
“It don’t exactly stop on a dime,” Lula said.
One of the cops approached. I rolled the window down and grimaced. It was Eddie Gazarra. We went to school together, and now he was married to my cousin Shirley the Whiner.
“Hey, Eddie,” I said. “How’s it going?”
“Oh crap,” Eddie said.
Lula leaned over and looked past me to Eddie. “We gotta get going. That moron Larry Virgil stole my car and I gotta get to Stark Street before my baby’s nothing but spare parts. So I’d appreciate it if you could get your patrol car out of my way.”
Eddie and I looked down the street at what was left of the patrol car. It wasn’t going anywhere anytime soon.
“Sorry about your car,” I said to Eddie. “Lula didn’t totally have the hang of driving this thing.”
Eddie’s partner, Jimmy, was standing alongside him. Our paths had crossed on a couple occasions, but I didn’t actually know him. He was hands on hips looking like he thought this was funny but was trying not to laugh out loud.
“You’re supposed to ask to see her license and registration,” Jimmy said.
“My license is in my purse which is in my car which has been stolen,” Lula said. “And what you’re doing here is impeding the progress of justice.”
“You know this truck was hijacked, right?” Eddie asked me.
“Not exactly,” I said. “Lula and I were staking out Virgil’s garage, and he pulled up in this truck. One thing led to another and here we are.”
“Are we going to arrest them?” Jimmy asked, still grinning.
“No, we aren’t going to arrest them,” Eddie said. “Her grandmother would make my life a living hell.”
“What do you want to do about the car?” Jimmy asked Eddie.
“Get a tow truck out here. And report the Firebird to dispatch.”
“It’s red,” Lula told Jimmy. “And it’s got a one--of--a--kind bedazzled purse in it.”
I swung down out of the cab. “If it’s okay with you I’ll call for a ride.”
“You calling Morelli?” Eddie asked.
Joe Morelli is a Trenton cop working crimes against persons. He’s also my boyfriend.
“No,” I said to Eddie. “I’ll grab a ride in one of Ranger’s patrol cars. And I can get him to check with the chop shop to make sure they don’t take Lula’s car apart.”
Ranger is a former Special Forces operative turned businessman and security expert. He’s six feet of perfectly toned muscle. He’s my age, but he’s ages beyond me in life experience and street smarts. His coloring and heritage are Latino. He’s single and intends to stay that way. He owns Rangeman, an exclusive security firm housed in a stealth building in downtown Trenton.
“Sounds like a plan,” Eddie said. He hitched a thumb in Lula’s direction. “You’re taking her with you?”
“I guess.”
“She’s going to have to come in and file an accident report tomorrow. I imagine by then you’ll have come up with an explanation.”
“Yeah. I owe you.”
“Good,” Eddie said, “because I need a babysitter next Saturday.”
I squelched a grimace. Eddie’s kids were monsters. “I’ll be there,” I told him.
I made a short call to Ranger and joined Lula and Eddie at the side of the truck.
“This is a freezer truck,” Lula said. “What do you suppose Larry Virgil was gonna do with it? You think he has a big--ass freezer in his garage? How was he gonna store all the frozen stuff until he could turn it around?”
“Maybe it’s empty,” I said. “Maybe he already offloaded the ice cream somewhere.”
“This was reported stolen by Bogart Ice Cream,” Eddie said. “The compressor is running, so it’s probably still full of ice cream.” He walked to the back door. “No security seal. It’s just padlocked.”
“I could shoot the padlock off,” Lula said, “and then we could see what we got in here.”
Eddie cut his eyes to Lula.
“That would be if I had a gun,” Lula said, thinking twice about her offer since she didn’t have a permit to carry concealed.
“Hey, Jimmy,” Eddie yelled. “Look in the cab and see if you can find the key to the padlock for the back door.”
Jimmy climbed into the cab and swung down with the key. Eddie took the key, opened the door to the freezer truck, and a body fell out. We all jumped back.
“What the hell?” Jimmy said.
It was a chocolate--covered man, sprinkled with chopped pecans, totally frozen. Hard to tell if it was a real corpse or a solid chocolate novelty item.
We all looked down at it.
“That better not be a dead person,” Lula said. “On account of you know how I feel about dead people. I’m not in favor of them.”
“Could just be a big popsicle,” Jimmy said, toeing the chocolate guy.
“I don’t think so,” Lula said. “It don’t got no stick up its hoo--hoo.”
“Call it in,” Eddie said to Jimmy. “And tell them to get CSI out here before he melts.”
“Maybe we should put him back in the freezer truck,” I said to Eddie.
“Yeah,” Eddie said. “I guess we could do that.”
No one made a move to pick up the chocolate guy.
“Or we could leave him here,” I said.
“That got my vote,” Lula said. “I’m not touching him, in case he got the dead cooties.”
“Keep your eye on him,” Eddie said to me. “I’m going to see if I can get the trunk open on the squad car so I can get some crime scene tape and rubber gloves.”
Lula looked into the trailer. “They had him jammed up next to the back door,” Lula said. “The rest of the truck is filled with cartons of Bogart
ice cream. Somebody’s gonna be real disappointed in the morning if they don’t get their ice cream delivery. Personally I’m a Mo Morris ice cream person as opposed to a Bogart ice cream person. Not that I’d turn my nose up at a carton of this here ice cream if it accidentally fell out of the truck.”
“That would be tampering with evidence,” Jimmy said.
“Just sayin’.”
Eddie returned with some yellow tape and a box of disposable gloves.
“I’d be willing to help,” Lula said, “but those gloves are the wrong size for me.”
“They’re one--size--fits--all,” Eddie said.
“Nuh--uh,” Lula said. “They wouldn’t look good on me, and they’d ruin my nail varnish.”
A shiny black Porsche Cayenne drove up and eased to a stop, and Ranger got out. He was dressed in Rangeman black fatigues. He’s the boss, but he still works alongside his men if the threat level is high or if they’re short--handed. He walked over to me and looked down at the chocolate man.
“Nice touch with the chopped nuts,” Ranger said. “Who is he?”
“Don’t know,” Eddie said. “I don’t want to go through his pockets and ruin the chocolate.”
Eddie and Ranger pulled on rubber gloves, crammed the stiff back into the truck, and closed the door on him.
I got into the front of the Porsche with Ranger, and Lula got into the back. We drove to Stark Street in silence, and Ranger parked in front of the chop shop. A shiny black Rangeman Ford Explorer idled in the driveway. Lula’s red Firebird was parked next to the Explorer. A Rangeman guy who looked like the Hulk except for the part about being green got out of the Explorer and walked over to us.
“The Firebird was just dropped off,” he said to Ranger, handing him the car keys. “It seems to be undamaged. There’s a purse in the backseat.”
“Any sign of Larry Virgil?” Ranger asked.
“No. I guess he left the car here and took off.”
Ranger handed the keys over to Lula.
“I got my baby back,” Lula said, taking the keys, exiting the Porsche. “Anything I can ever do for you, just let me know,” she said to Ranger. She looked the Hulk over. “You too, big, black, and bad--ass. Anything you need, you just ask Lula.”

•   •   •

Ranger drove away, leaving his man grinning at Lula.
“She’ll take him apart and won’t put him back together again,” Ranger said to me. “Is your car at the office?”
“No. Lula picked me up at home.”
“Babe,” Ranger said.
“Babe” covers a lot of ground for Ranger, depending upon the inflection. Tonight it was said softly with an undertone of desire, as if he might take me home and stay awhile. It gave me an instant rush, and heat curled through a bunch of my internal organs. I did my best to squash the heat and ignore the rush, but in the process of ignoring the rush I inadvertently gave up a sigh.
“What?” Ranger asked.
“Morelli.”
Morelli and I have had an on again, off again relationship since I was five years old. Lately when we’re off again, Ranger swoops in. At first glance it might appear that I’m lacking in moral character to be bouncing around between men like this, but it’s only two men. I mean, it’s not like I’m dating a football team. And let’s be honest about this. These guys are both twelve on a scale of one to ten. And I might only be a six. So how lucky am I? A couple weeks ago, in a moment of euphoria, Morelli and I agreed to become engaged to be engaged. It was a good moment, but I think it’s a little like planning on winning the lottery or contemplating losing five pounds. I mean, what are the chances of it actually happening?
“Unfortunate,” Ranger said, “but the night wasn’t a complete loss. I got to see a dead guy dressed up like a Bogart Bar. What were you doing with the freezer truck?”
“Lula and I were staking out Larry Virgil, and he drove up in the semi. One thing led to another. Blah blah blah. And Lula crashed the truck into Eddie Gazarra’s squad car.”
“And the deceased?”
“We opened the door to look inside and the guy fell out.”
“As it turns out,” Ranger said, “I’ve been hired by Harry Bogart. He wants increased security in his factory. For years he’s been engaged in an ice cream war with Mo Morris. In the past it’s been confined to competitive pricing, ripping off recipes, ads that pushed the boundaries of libel, and occasionally a shouting match at a family function.”
“They’re related?”
“Cousins.”
“And I guess they don’t like each other.”
“Not even a little. Lately bad things have been happening to Harry Bogart. Salmonella in the double chocolate. A bomb hoax that shut down production for an entire day. One of the freezers was down for the night and literally a ton of ice cream melted. Bogart is sure it’s Mo Morris out to ruin him, but he can’t prove anything.”
“So he’s hired you.”
“His factory is old--school. No security cameras. No instant alerts when equipment goes down. Locks that can be opened with a nail file. I guess he’s never needed more. It’s not like he’s doing nuclear research.”
“You’re fixing all that.”
“Yes, but it takes time. It’s a big job. He needs new wiring. He has to approve the system design. I’d like to give him a couple men on foot patrol until we get everything up and running, but he refuses. He says ice cream is happiness and comfort and his customers would turn to birthday cake and mac and cheese if they thought his ice cream was under siege.”
“He sounds like a nice man.”
“He’s ruthless and miserly. So far I haven’t seen evidence of nice.”
“He makes good ice cream.”
Ranger nodded. “So I’ve been told.”
“Do you think the dead guy could be Harry Bogart?”
“No. Wrong body type. Bogart is a big man.”
“Eats a lot of ice cream?”
“Eats a lot of everything.” Ranger turned in to my parking lot. “I need someone to go inside the two ice cream factories and look around. Do you have time to moonlight for me?”
“What would I do?”
“Most of the line workers are women, so you would blend in. I’d put you on the line to start. All you’d have to do is keep your ears open and look around. I’m told that everyone gets to take a pint of ice cream home with them at the end of the shift in Mo Morris’s plant.”
“Hard to pass that up.”
Ranger stopped in front of my apartment building’s back door. I made a move to get out of the car, and he pulled me to him and kissed me. The kiss was light but lingering, sending a clear message of checked passion. He released me and relaxed back into his seat.
“I’ll make the arrangements for you to start work at Bogart’s plant and be back in touch,” Ranger said.
It took me a couple beats to get myself together. “Okay then,” I said. “Be careful driving home.”
“Babe,” Ranger said.

•   •   •

Morelli was on my couch watching television as I walked in. His big mostly golden retriever, Bob, was on the couch with him. There was a takeout pizza box on the coffee table.
Morelli looked up at me and grinned. “Have a good night?”
“Eddie Gazarra called you, didn’t he?”
“Cupcake, everyone called me, including your mother and the Trenton Times.”
“News travels fast.”
“Not every day someone gets dipped in chocolate and sprinkled with nuts. Usually people in Trenton just get stabbed and shot.”
I squeezed between Morelli and Bob, flipped the lid up on the pizza box, and took a piece. “I thought you might have gotten the call on this one.”
“I just came off a double shift so I was low in the rotation. Butch Zajak pulled it.”
“I can’t stop thinking about the dead man.”
“Yeah, me too. Eddie said he was dressed up like a Bogart Bar. I don’t suppose you have any.”
“No, but the freezer truck was filled with cartons of them. It was like the man in the truck was
part of the Bogart Bar run.”
“All this talk about Bogart Bars is making me feel romantic,” Morelli said.
Here’s the deal with Morelli. Everything makes him feel romantic.
Morelli wrapped an arm around me and nibbled at my neck. “I’m thinking after the pizza what I need is dessert. Like a Bogart Bar.”
“I don’t have good feelings about Bogart Bars right now.”
“Okay, how about a hot fudge sundae?”
“I guess that would be okay.”
“Do you have ice cream? Chocolate sauce?” Morelli asked.
“No.”
“Some of that whipped cream in a can?”
“No.”
“No problem. I can use my imagination.”
I was warming to the idea.
“And then you know what comes next,” Morelli said.
“What?”
“I get to be the sundae.”
Damn! I knew there’d be a catch.

Most helpful customer reviews

92 of 97 people found the following review helpful.
Make It Stop
By Dee Wilson
This will likely be my last purchase in the series. Whole chunks of text are direct from earlier books. The writing quality has continually depreciated over the last several books in the series, and I suspect they are largely being written by someone else. Not worth the time or the money. Re-read an older Plum instead, you will enjoy it more.

45 of 46 people found the following review helpful.
No more Plum PLEASE!!!
By Erin Owens
You just can't do it anymore. If it were a T.V. show it would have been canceled long ago. Not once did I laugh or remember why I have read all 23 books. It was garbage.

You had something so special in the beginning, and now the flame has burned out. Put it to rest. Give the true fans the respect to not continue this series any longer.

36 of 37 people found the following review helpful.
Only Ok
By Good2Go
I pre-ordered this book. I have never, ever done this with a Janet Evanovich book before.

The reason I did so this time was that I was so thrilled that Stephanie and Joe might have a closer relationship. That they might commit more than they do. I get the reasons why the author made Joe buy a billiard table instead of a ring for Stephanie--gotta keep the story going with what has sold so well in the past--but change is the beauty of life. There are heaps of little plot twists you could have if Joe and Stephanie did actually get engaged for real.

For Stephanie to sleep with Ranger . . . and not see that Ranger has also been dangling her on a string . . . makes her seem not capable of rational thought.

Stephanie admits she likes sex, but she's not that into it. Yet, her actions show something else. Instead of considering what Ranger told her about Joe dangling her on a string since she was five, she just gets mad and sleeps with Ranger. Not so smart, number one. Number two, how the heck she can look Joe in the face is beyond me. It's hard to relate to someone that would do something like this.

I've come to the opinion that these are hardly romance novels. They are more comedic bounty hunter novels with larger-than-life characters. The novels draw in readers with humour and pure escapism. I don't know one woman who could sleep with two men and look her regular boyfriend in the eye again. Stephanie doesn't even question herself, and if she does, she has the reasoning of a five-year-old girl.

I was really, really looking forward to this novel as I thought "YES!!" Stephanie and Joe will move a bit further into their relationship and we'll get to read all the funny things about being engaged. Parties gone wrong. Losing a ring. Lula chasing down the guy who stole Stephanie's ring. Connie beating the S*&t out of him cause it's that time of the month. I mean the plot points could be endless and you could still move their relationship forward instead of this endless cycling. Maybe Joe and Stephanie never get married. That's not the point. Marriage really means squat as Stephanie knows with her first marriage. It would be good for her to examine these feelings a bit. Show some character growth and still have the laughs. I really don't care if they never get married, but Stephanie is certainly not exclusive to Joe and, for all the readers can guess at, he might not be exclusive to her. At this stage, I really hope he isn't. I get this uncomfortable feeling that they're not meant to be together and that she'd be better off with Ranger as marriage is not on the cards either way.

I want to say that I have been in a committed relationship for well on 21 years. His grandmother hated that we didn't get married, but she never told me. We have three kids together. We are faithful and happy. But yeah, we're still engaged. lol. So I know first hand that there is heaps of comedic fodder for an engaged couple that refuse to get married.

If the author still wants Stephanie to stay footloose and fancy free, then I suggest cutting ties to both Joe and Ranger. Meet a few more guys and see if that inspires a bit of action from Joe and Ranger.

I think it was kind of a dirty trick to make readers think Stephanie and Joe's relationship would progress more and then to dash all our hopes and have her sleeping with both men. I'd say, yes, she does love sex. No, she's not that enamored with Joe. If Ranger wanted her for good, she'd be on him like a shot.

Stephanie is a woman that can get the hot cop, the deep, dark chocolate Ranger who is also super cool, and she's also incredibly awesome at tackling FTAs. However, she cannot commit to one man fully, she's spinning her wheels in life, and at the same time, gouging a nice bog for herself. She's bogged down. Stuck in the mud. Someone like her needs freedom, so she has freedom with men, with her job, but she cannot choose between the two, so readers can't relate to her. Yes, we get that the author likes to show she can have sex with two hot men. But, Stephanie's clear lack of integrity leaves a gritty aftertaste.

See all 249 customer reviews...

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