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The first novel to be released in The Foreworld Saga, The Mongoliad: Book One, is an epic-within-an-epic, taking place in 13th century. In it, a small band of warriors and mystics raise their swords to save Europe from a bloodthirsty Mongol invasion. Inspired by their leader (an elder of an order of warrior monks), they embark on a perilous journey and uncover the history of hidden knowledge and conflict among powerful secret societies that had been shaping world events for millennia.
But the saga reaches the modern world via a circuitous route. In the late 19th century, Sir Richard F. Burton, an expert on exotic languages and historical swordsmanship, is approached by a mysterious group of English martial arts aficionados about translating a collection of long-lost manuscripts. Burton dies before his work is finished, and his efforts were thought lost until recently rediscovered by a team of amateur archaeologists in the ruins of a mansion in Trieste, Italy. From this collection of arcana, the incredible tale of The Mongoliad was recreated.
Full of high adventure, unforgettable characters, and unflinching battle scenes, The Mongoliad ignites a dangerous quest where willpower and blades are tested and the scope of world-building is redefined.
A note on this edition: The Mongoliad began as a social media experiment, combining serial story-telling with a unique level of interaction between authors and audience during the creative process. Since its original iteration, The Mongoliad has been restructured, edited, and rewritten under the supervision of its authors to create a more cohesive reading experience and will be published as a trilogy of novels. This edition is the definitive edition and is the authors' preferred text.
- Sales Rank: #394816 in Books
- Published on: 2012-04-24
- Released on: 2012-04-24
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.25" w x 1.25" l, 1.05 pounds
- Binding: Paperback
- 442 pages
Amazon.com Review
A Q&A with Mark Teppo, co-author of The Mongoliad: Book One
Q: How did you get the idea for The Mongoliad?
A: It all started with sword fighting, of course. My co-authors and I are part of a Western martial arts study group that practices in a non-descript loft in Seattle. A lot of the initial impetus for the group came from Neal Stephenson who had realized the sword fighting in his earlier novels was lacking the input from individuals with actual expertise. In the course of learning about the history of Western martial arts, he coaxed a couple other writers into the same circle. From there, the idea of writing a saga about the complex history of Western martial arts was born. Since the idea grew out of a group experience, it seemed best to continue the collaborative aspect of the project, and that was how the core team of Neal, Greg Bear, E.D. deBirmingham, Joseph Brassey, Erik Bear, Cooper Moo, and myself came together.
Q: The Mongoliad trilogy began as an online subscription service. How would you describe this first incarnation of the trilogy?
A: At the time, we were also talking about new ways of interacting with our audience, and an online subscription service seemed like an interesting experiment. The edition that grew out of that experience is best characterized as a serialized work-in-progress. Not only were we conducting an experiment in writing collaboratively, but we were also learning what it was like to interact—in near real-time—with our readers. It was, in many ways, not unlike the manner in which Charles Dickens wrote his own novels. The first iteration of many of his classics were serialized, with Dickens shaping and revisiting his plots based on readers' responses to the episodes. He even started to think of the episodes differently—writing more cliffhangers than one would normally use in a traditional novel format
Q: How is the Mongoliad trilogy different from the serialized version of The Mongoliad?
A: We wrote the serialized narrative in one long rush, constantly shifting stories and plotlines in response to writer availability and to what our audience was talking about. I don't know how well it will read after the fact as I think there was a certain amount of inescapable frisson that went on during that process. But it was a serialized experience and much of that emphasis is a weekly cliffhanger, which doesn't necessarily translate well to three separate volumes.
The trilogy that is being released via 47North is a much more coherent narrative where the emphasis is now on world-building and story-telling. The Mongoliad has a beginning, middle, and end, but it's also the starting point of a huge explosion of stories and characters—in the medieval world and beyond—that is still forthcoming. We know so much more about Foreworld now (the world in which The Mongoliad takes place) that we are able to properly understand these characters' place within the larger narrative that has yet to unfold.
Q: What are the strengths of this book-length version of The Mongoliad?
A: Firstly, each of the three volumes of The Mongoliad have been polished, re-structured, and re-edited into the definitive edition of the narrative. The 47North publication is the authors' preferred text. As we said, throughout the serialization a book is never really done for the writers until they can hold it in their hands. We're old school, that way. It's done when you put it on the shelf.
Secondly, having been the guy who had to take it all apart and put it back together across three volumes, I think it's a much stronger narrative now. There are four story branches that move back and forth across the year 1241, and lining up intersection points between the branches was complicated in a serialized non-linear format. The 47North edition allowed us to build a better pace and structure for the narrative.
For example, the Rome branch, which began immediately in the serial, doesn't begin in the 47North edition until Book Two. Which makes sense in a linear story-telling fashion because the events that occur in Rome take place much later than the initial events in Book One. In the serial, we didn't do it that way—much to our chagrin. But we couldn't do anything to fix that misstep. Until now.
Review
“This off-beat alternate history of Eurasia could be your new obsession.” –i09.com
“This story is pure adventure, with much swordplay and swashbuckling.” –Kirkus Reviews
“A terrifically engaging book that pulled me along at least as quickly as The Hunger Games. Think Lord of the Rings without all that pesky fantasy…Five frighteningly accurate historical sword fights out of five.” –Fanboy Comics
"While there might be some truth to the saying "too many cooks spoil the broth", it doesn't apply to The Mongoliad: Book One. In fact it's a distinct advantage in a book where we see the world through the eyes of such a diverse group of people. Differences in voice make each character a distinct individual while not detracting from the story's coherency or cohesion. The overall narrative actually flows far more smoothly than usual for a book covering as much ground as this one, as events build upon themselves naturally and logically. While there's no indication as to who wrote which parts it ends up being irrelevant. After the first few pages you'll find yourself so wrapped up in the story you'll no longer care who the author is, you'll just want to turn the page to find out what happens next." -Blogcritics
About the Author
Neal Stephenson is primarily a fiction author and has received several awards for his works in speculative fiction. His more popular books include Snow Crash, The Diamond Age, Cryptonomicon, The Baroque Cycle, and Anathem.
Erik Bear lives and writes in Seattle, Washington. He has written for a bestselling video game and is currently working on several comic book series.
Greg Bear is the author of more than thirty books, spanning the thriller, science fiction, and fantasy genres, including Blood Music, Eon, The Forge of God, Darwin’s Radio, City at the End of Time, and Hull Zero Three. His books have won numerous international prizes, have been translated into more than twenty-two languages, and have sold millions of copies worldwide.
Joseph Brassey lives in the Pacific Northwest with his wife and two cats. He teaches medieval fighting techniques to members of the armed forces. The Mongoliad is his first published fiction.
Nicole Galland (writing as E.D. DeBirmingham) is the author of I, Iago, as well as The Fool's Tale, Revenge of the Rose, and Crossed: A Tale of the Fourth Crusade. An award-winning screenwriter, she is married to actor Billy Meleady and, unlike all her handsome and talented co-writers, spends no time at all hitting people with sticks in Seattle.
Mark Teppo is the author of the Codex of Souls urban fantasy series as well as the hypertext dream narrative The Potemkin Mosaic.
Cooper Moo spent five minutes in Mongolia in 1986 before he had to get back on the train—he never expected to be channeling Mongolian warriors. In 2007 Cooper fought a Chinese long-sword instructor on a Hong Kong rooftop—he never thought the experience would help him write battle scenes. In addition to being a member of The Mongoliad writing team, Cooper has written articles for various magazines. His autobiographical piece "Growing Up Black and White," published in the Seattle Weekly, was awarded Social Issues Reporting article of the year by the Society of Professional Journalists. He lives in Issaquah, Washington, with his wife, three children, and numerous bladed weapons.
Most helpful customer reviews
256 of 290 people found the following review helpful.
"The Tiger Would Pity the Fawn, The Wolf Would Weap Over It's Lamb Before the Mongol Would Cringe Over The Corpse of a Child"
By Ronin
While there are seven authors, the voice of Neal Stephenson is unmistakeable at times. His narrative is often more along the lines of Cryptonomicon than Snow Crash, which depending on your taste may or may not be to your liking (I definitely preferred the latter to the former). I say this because there is considerable "situational dialog", for lack of a better description, where characters have discussions and the reader is slowly brought up to speed. While I found his presence obvious, there are times when it vanishes so I believe this was a good collaborative effort.
The story begins in 1241. Ogedei has succeed Genghis as Khan of the Mongol Empire and his hordes are ravaging Eastern Europe while the new Khan is seduced into court life and overindulgence. The Mongol horde is loose and ravaging Eastern Europe as the population descends into terror. A band of heroes decide a military victory is impossible and there is only one solution; so they set out on an impossible quest.
One character I found interesting was Istvan, who they refer to as a "Madjar", which I assumed to be a nomadic Magyar since he is a highly skilled horse archer. One reviewer was put off by the suggestion of the Mongols being depicted as too brutal. I disagree. Having read all the English-written historical source material on this subject I personally think not a single fiction author has come close to depicting it.
The Golden Horde which devastated north and west led by Jochi & Batu left very little living in their wake. It was a war of extermination and in 1241, the beginning of The Mongoliad, Batu was about to overtake Vienna. The devastation he left behind tells of mountains of human skulls and remains, a vast desolate wasteland; the results of Nazi style cleansing-efficiency. Consider during Genghis' time his empire contained 110 million people with a global population of 400 million and it is estimated 40 million died as a result of his aggression. Compare that to the 60 million who died in WWII out of a global population of 2.3 billion. I applaud the authors for capturing some of the Mongol brutality.
The Mongoliad is set in exotic locations and no commonality of language, much like a viking adventure, which adds to the authenticity. The book is fairly well researched and the diverse team of authors all lend a quality to this complex tale. The first 50 pages take a while to get going, but once the stage is set the reward is a very unique and original adventure that ultimately spans the centuries as the trilogy progresses. I enjoyed the book immensely and look forward to the next installment, due out September 25. I highly recommend!
247 of 285 people found the following review helpful.
Seven authors on a quest for exposition
By W. V. Buckley
Generally I try to avoid books that list a multitude of writers since they often come across as having been edited by committee and you have several voices trying to make their portions of the work stand out rather than a single voice that tries to make the entire book stand out. At least The Mongoliad manages to avoid those particular sins, though it manages to find others that are almost as egregious.
Take, for example, the idea of exposition. It's not one of the seven deadly sins, so it's OK to use it on occasion. It's one thing for an author (or authors, in this case) to drop you in the middle of the action on the opening pages; but to plop you in the middle of the action without even the tiniest hint of whenever and wherever the heck you are only serves to confuse and frustrate readers who aren't scholars of Medieval history and/or never heard of the on-line version of Mongoliad before reading about it in some of the reviews.
Likewise, it was difficult to figure out where the action takes place since there were no modern place names used in the book. I was beginning to think the story took place in some fantasy alternate universe until I figured out that Rus meant Russia. I can't entirely blame the authors for this. Even if it had been published with maps (as apparently the "deluxe" version will be) reading maps on a Kindle is nearly impossible.
There are some interesting passages in The Mongoliad, but they ended up being sandwiched between sections that lean toward the tedious. For example, in one portion of the book there is a description of one-on-one combat between two contestants in the Khan's Circus of Swords. I appreciate the level of realism with which this is depicted, but the battle continues over three friggin' chapters! Since the chapters alternate between those set in the Khan's empire and the travels of the dozen knights and others who are undertaking a quest, so every one of those three chapters has another chapter separating it from its continuation. That brings up another problem with how the book is structured: there's no way to tell whether the alternating chapters are occurring at the same time or if time has elapsed between the chapters.
Frankly, I was beginning to wonder if the book would make better sense if I read all the even-number chapters and then all the odd-numbered chapters ... or maybe even just read chapters at random. There are portions of a good book in The Mongoliad, but they are not well-served by the rigid, back-and-forth structure of the novel.
69 of 83 people found the following review helpful.
Disappointing. Expected more
By stonyhill
There is nothing particularly wrong with this book, I guess, but the world is not compelling, the characters are not complex, the fights are not unique, and the relationships are stereotypical. I finished this one, barely, but I doubt I will pick up the sequel, and I've never had that feeling after a book from Stephenson or Bear.
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